Saturday, January 31, 2015

Politicizing the Super Bowl: Why a Lefty Mag Believes the Seattle Seahawks are the Progressive Cause

Ahead of the Super Bowl, the far, far left magazine, The Nation, tells America why it must root for the Seattle Seahawks over the New England Patriots. This intriguing piece I flagged courtesy of the Daily Caller.
If only” star athletes used their hyper-exalted-brought-to-you-by Nike platform to actually say something about the world instead of just trying to sell us more crap. If only they stood up to tired sports media that for decades had treated outspoken athletes with a sneering and, in the case of black players, transparently racist contempt… This is reason enough, if you aren’t from the Maine-to-Connecticut-corridor, to pull for the Seattle Seahawks. This is a team that has had players speak out for the Black Lives Matter movement and a team that has felt no compunction against calling out a commissioner in Roger Goodell who cares more about public relations than the players and the families of players that the league employs.
I wrote about the shameless legacy of The Nation magazine that is about this publication that will mark its 150th anniversary this year in my piece in Organization Trends.
Oscar Garrison Villard took over the magazine, producing it again as a stand-alone publication and moving it to the far left. It hasn’t returned to sanity since. Under its new leaders, The Nation enthusiastically backed the Russian Revolution in 1917 and was the first American magazine to print the Soviet Constitution. Vladimir Lenin wasn’t the only tyrant to make its editors’ hearts skip a beat. Over the decades, The Nation would apologize and make excuses for Josef Stalin, Pol Pot, and Ho Chi Minh. All this time, it issued various hysterical warnings that portrayed the United States as one step away from fascism, theocracy, or corporate oligarchy. 
Stalin supporter Freda Kirchwey replaced Villard as editor in 1932, a time when the United States was believed to be at the doorstep of its progressive utopia as Franklin Delano Roosevelt was running for president. Kirchwey was an early secular progressive culture warrior who used the magazine to advocate for such fashionable causes as sexual freedom and birth control (Freda Kirchwey: A Woman of ‘The Nation,’ Harvard University Press). The Nation managed to end up on the side of the United States in World War II—at least once Stalin had broken with his treaty partner Adolph Hitler and needed America’s help. The Nation and Kirchwey did tick off progressives in 1948 by refusing to break rank with Democrats and support Progressive Party presidential candidate Henry Wallace. 
Carey McWilliams, a lawyer, left-wing journalist, and labor organizer, took the helm of the magazine in 1955, as the magazine persistently sympathized with the Soviets on Cold War policies. Among the writers to start at the magazine during McWilliams’ time were radical activist/presidential candidate Ralph Nader, Marxist historian Howard Zinn, and gonzo journalist Hunter S. Thompson ... 
Ironically, in 1989 the magazine founded by an abolitionist published a slapstick, twinkle-in-your-eye piece about child sex slaves from Haiti by Herbert Gold, who wrote, “For a writer going through personal distractions, an escape into the indulgence of melodrama can provide what the maker of an analgesic calls temporary fast relief. Slave Trade was intended to offer a lively passing of time” (Dec. 18, 1989) ... 
In 2004, the Anti-Defamation League asked why The Nation would allow advertising from a group of Holocaust deniers called the Institute for Historical Review. The ad was titled, “Unmasking Israel’s Most Dangerous Myths” and called the Holocaust a “historical myth cited to justify Zionist aggression and repression.” 
“Doesn’t The Nation have advertising acceptability standards that identify and reject offensive content?” asked ADL national director Abraham H. Foxman in an April 21, 2004 letter to the editor. “If it does, it somehow missed the obvious here. Unfortunately, giving space to a group that sponsors Holocaust denial only lends them credibility and perpetuates a lie.”


The New Republic's Sorry Fall

The mass revolt from The New Republic has reportedly sent a number of writers to new outlets. Still the magazine is having a difficult time recovering. More recently (in what may or may not be an attempt to deliver an audacious cover story in the midst of its free fall) the magazine is doing a self examination on its legacy on race. 

Never a moneymaker, the magazine has a storied history, but has been taken down the tubes by its new management, as I write in Organization Trends.


Washington Post columnist Dana Milbank, known for his snarkiness, wrote mournfully in his Dec. 8, 2014 column about his former employer: “The New Republic is dead; Chris Hughes killed it.” In 2012 Hughes, the wealthy tech liberal, bought the magazine founded by Walter Lippmann, Herbert Crowley, and Willard Straight. “But Hughes is no Lippmann; he’s a callow man who accidentally became rich—to the tune of some $700 million—because he had the luck of being Facebook founder Mark Zuckerberg’s roommate at Harvard,” Milbank wrote. 
Just last year it celebrated its 100th anniversary. Hughes decided it was going to be a technology company and fired Franklin Foer as editor, replacing him with an editor who had been fired from the low-rent gossip website Gawker. This move prompted staffers to flee and most contributing editors to demand that their names be removed from the masthead. The bloodbath caused at least 58 of 87 names on the masthead to disappear. 
The magazine’s apparent death comes after years of being to the right of most other lefty publications. The magazine supported the Global War on Terror and tried to invoke the party of FDR and JFK over the party of MoveOn.org and Daily Kos. It supported Joe Lieberman’s hopeless bid for the Democratic presidential nomination in 2004. 
It had some dark years, including a period of editorship under Henry Wallace, FDR’s former vice president and an apologist for Stalin (years later, Wallace recanted). After Wallace left as editor to run for president on the Progressive ticket, the editor in the late 1940s into the 1950s was Michael Whitney Straight, later revealed to be a Soviet spy in Anthony Blunt’s ring at Cambridge University (the two were briefly lovers).
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